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Across 17 years and eight albums, Field Music have become one of Britain’s best-loved guitar bands. They’ve also evolved a...

Next time you’re buying studio hardware, try searching the manufacturer’s website using terms like ‘sustainability’. You might be surprised at the results.

Antelope Audio recreate a cult mastering equaliser for their unique AFX platform.

This ‘wet effects generator’ is aimed squarely at modern productions.

Focal’s revised flagship studio cans raise the bar yet again.

Affordable, reliable and unexpectedly small, Beyer’s ribbon mics have been studio staples since the mid‑’60s.

The new Music Mission transforms Merging’s desktop device into a powerful recording mixer and Ethernet audio interface.

We speak to Avid CEO Jeff Rosica about how the company have successfully navigated the pandemic and what the future holds....

Tony Agnello and Richard Factor chat about the 50 year history of Eventide, from their groundbreaking use of digital technology in the early ’70s to the modern challenges of adapting their algorithms for plug-ins and stompboxes.

Siamäk Naghian and Andy Bensley of Genelec chat to Sam Inglis about the 43 year history of the company, the development of new technology and future sustainability.

We try to improve a gypsy jazz mix, and discover that even the best references need to be taken with a pinch of salt.

With a record three Album of the Year nominations at this year’s Grammy Awards, mastering engineer Emily Lazar is at the forefront of her profession.

We kick off a new series profiling classic studio equipment with a look at a humble dynamic mic that has passed into Liverpudlian legend.

Audio Files
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Embody offer a unique way to tailor their room‑simulation system to the individual user.

We owe the famous saying “If it sounds right, it is right” to Joe Meek. It sounds like a truism — but only if you overlook what’s involved in deciding that something sounds right.

A good engineer can make bands sound better than they are. In this video, Sound On Sound's Editor In Chief Sam Inglis explains how to turn musical lead into gold...

No‑one can tell you exactly what to buy without knowing more about your circumstances, your preferences, your studio and the things you’re likely to be recording. And the best person to come up with those answers is you.