SOUND ON SOUND
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Oeksound's Soothe has quietly taken the world by storm. We road-test the hotly awaited v2!
We all love vintage mixer EQs and preamps, but it takes a lot of work to rack them up for use in today's studios. Is it worth your time and expense?
Audeze's latest LCD-series cans make the company's impressive planar magnetic technology more accessible than ever.
The brainchild of Tim Loe, Capo Elevator is designed to counteract a fairly well-known issue that can arise when recording steel-strung acoustic guitars...
Most new headphone manufacturers target the booming hi-fi and consumer markets, but OLLO Audio have made their entrance with two models explicitly aimed at audio engineers.
Simplicity meets sophistication in Relab's impressive new reverb plug-in.
UA's new desktop interfaces give their rackmount siblings a run for their money.
ON TEST — Softube's alternative mixing environment has grown faders — and they do much more than just fade! Read this SOS In-depth Review TODAY!
For their newest project, Samar Audio set themselves the challenge of creating the ideal cardioid microphone. Have they succeeded?
How will producers hear music in years to come? As they celebrate their 20th birthday, ADAM Audio have ambitious plans for the next generation of studio monitors.
Arturia's new audio interface is well designed, simple to use and enticingly priced.
It might be set in the '20s, but Downton Abbey certainly isn't a silent movie! We talk to the team behind its state-of-the-art sound production.
McDSP's revolutionary APB‑16 promises to combine the sound of analogue compression with the convenience of plug-ins. Is it all too good to be true?
Antelope Audio are all about high-end quality at a lower price. Does the third generation of their Orion 32+ deliver the goods?
Available in stereo and surround versions, and in all the usual native formats, Bute Limiter is a thoroughly modern plug-in designed to operate in the post-loudness wars era — though if you do want to indulge in a bit of retro endstop-slamming, it will certainly oblige.
Many engineers believe that Neumann's classic KM84 has never been bettered. Have Warm Audio produced an affordable alternative?
The advice of professional acousticians can be hard to evaluate on paper — but what if you could actually hear the results of their work before building starts?
Can you recommend a mid-range (in terms of price) mic with a good off-axis response, for recording acoustic instruments?