
Ableton Live: Getting Creative With Take Lanes
Live 11’s new Take Lanes make creating a composite from alternative takes (comping) much easier for both MIDI and audio tracks.
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Live 11’s new Take Lanes make creating a composite from alternative takes (comping) much easier for both MIDI and audio tracks.
This solid state homage to the line output section of The Big Trees is an amplifier‑style preamp pedal that can be set anywhere from a nicely rounded clean tone to convincing valve‑amp‑style break up.
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HOFA‑College’s tutors have analysed more than 21,000 student mixes. We draw on this practical experience to identify the five most common mistakes made by beginners.
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Let Neuratron take the misery out of copying musical notation.
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Sounds of voices and strings rise from the chilly shores of the Baltic.
We explore some of the less common uses for Markers and Memory Locations.
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Is high‑passing the Sides with an M‑S EQ. the same as making the bass mono, as with Boz’s Moongoose or...
Want the classic Lexicon sound without having to dive deep into the parameter pages? You’re in luck...
Despite its decades‑old design, the Rogers LS5/9 can still compete with some of the best monitors around today. We put this faithful recreation to the test.
Rating: ***** 5/5 Stars. Scoring Acoustic Guitars is most likely to appeal to media composers or more experimental musicians. The quality of the sounds is most certainly big budget, but the price of access is not.
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Rating: ***** 5/5 Stars. A new strings library from Vienna Symphonic Library comes as no great surprise, but this one’s a bit special.
With selectable analogue drive paths and a fast limiter, this box is designed to add controllable vibe and colour as you capture your analogue mix.