SOUND ON SOUND
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Hip-hop collective Brockhampton abandoned their home studios for Abbey Road — and left with a number one album.
Korg have announced that they are developing a faithful recreation of the legendary 1970s analog synthesiser, the ARP Odyssey, for release later in 2014.
Logic's Legacy plug-ins offer some great music-making tools — you just need to know where to look...
Behringer have launched a new range of universal USB MIDI control surfaces under the new X-Touch banner at the NAMM show. Find out more in our video.
Splitting out your stereo signals into separate Mid and Sides tracks can open up a world of creative options in your mix.
When producer Sam Williams discovered Supergrass, he knew he had to capture the band's infectious energy on tape.
After unknown busker Tones and I teamed up with unknown producer Konstantin Kersting, she soon became very well known indeed!
Our engineer weighs up the benefits and pitfalls of a 'stems-only' approach to mixing and mastering an album for a self-recording band.
Chris Rabold has gone from selling T-shirts out of a van to mixing Bruno Mars' epic two-year 24K Magic tour.
Kyra's FPGA-based synth engine is technologically innovative, but what's it like as an instrument?
With arbitrary tempo restrictions to contend with and Olympic glory riding on every cut, adapting music for ice dance represents a unique editing challenge.
This month: Julia Michaels • Luis Fonsi feat. Daddy Yankee & Justin Bieber • DJ Khaled • Future • Classic Mix: The Monkees ‘I’m A Believer' (1967).
Monitors are better than they've ever been — but they're still the weakest link in most studios. We trace the technology from its roots in the 1930s, and find out whether there's a DSP revolution on the way.
The principles behind George Ezra’s second album sound simple: great songs, great vibe, and plenty of crunch. In practice, things got a bit more complicated...
The Sontronics range of phantom‑powered ribbon mics have just been given a major overhaul. We put them to work in a real-world recording session.
We examine the production of some commercial releases to help you brush up on your listening skills. This time: Joey + Rory and our Classic Mix is Fats Domino's ‘Blueberry Hill’ (1956).
This little module combines quiet, clean electronics with a characterful bucket-brigade delay line.
For his recent tour of the States, synthwave star Seth Haley, aka Com Truise, has had to adapt his complex studio setup to life on the road.
Korg have resurrected a ’60s classic — and completely reinvented it in the process.
Mix With The Masters celebrates its 10th year of existence in 2019, and its 100th one-week seminar.