SOUND ON SOUND
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However much studio trickery is considered 'normal' in a genre, the unwanted side-effects of processing can rob your mixes of impact. But it doesn't have to be that way
In the AEA RPQ2 ribbon mic pre review, what exactly did the reviewer mean by "Still has limited ability to remove unwanted subsonic components"?
I've replaced my RADAR II 24-channel multitrack recorder with a RADAR Studio model. Can I reuse the three original D25‑D25 cables on the new machine?
Rating: ***** 5/5 Stars. World-renowned and Grammy-nominated cellist Tina Guo returns to Cinesamples to create a valuable update to her industry-defining virtual instrument.
Rating: ***** 4/5 Stars. While you wouldn't buy this Pianet T instrument to boast about its facilities, you might be tempted by its unique and rather charming sound.
Rating: ***** 4/5 Stars. This ROMpler-based instrument for Kontakt offers some fairly classic-sounding pianos and keyboards.
Rating: ***** 4/5 Stars. Lap Harp features a sampled Eastern European zither-like instrument called a Perepyolochka.
This wireless system combines supreme ease of use with the quality for which Sennheiser are known.
We explore some alien soundscapes, courtesy of Slate + Ash's Auras...
Soniccouture's fabled loft yields further synth treasure...
Studio One 4.5 boasts massively improved grouping functionality. Here's how it works.
Brush up on your listening skills as we examine the production of some recent hits from Avicii, Dave, Shawn Mendes & Camila Cabello, Fantastic Negrito and a classic mix from Procol Harum.
Universal Audio continue to tempt UAD2 owners with officially licensed recreations of classic equipment — and rooms!
Waves bring one of the world's most famous mix rooms into your DAW.
The US drum maestros take a decisive step into the world of orchestral percussion.
Verticality has been such a revelation that I now no longer own a beanbag!
This clever design rethinks many aspects of compressors that we've long taken for granted.
We explore Reason 10.4's new drum machine, Rytmik.
SOS's Paul White has been fascinated by guitar synthesizers ever since he first encountered one and has owned or tested most models over the decades. Here's his story...