Reverbs

Used correctly, reverb is of the most powerful tools of modern music production. This month, we explore the most effective treatments for some of the individual components of a mix.

Paul White looks at how real reverberant spaces affect the perception of sounds within them, and shows you how your digital reverberation unit can simulate this process.

Lexicon's new multi-effects unit offers the classy sound quality of the MPX500 at an even more affordable price point.

With Sony's flagship sampling reverb processor you can now sample the acoustic signature of any space you want. Hugh Robjohns nips down the village hall to check it out.

Roland's sophisticated, yet highly affordable SRV3030 is the latest contender in the competitive market for dedicated reverb units. Paul White tries it out.

PC DirectX only

Cakewalk's FX3 Soundstage is, in essence, a reverb, but that description...

Artificial reverb algorithms are designed to add 'fake' room ambience to recorded sounds — but a prototype reverb unit from Sony purports to deliver new levels of realism by imposing the characteristics of actual reverberant spaces on the sound. Hugh Robjohns explains....

Mike Collins provides some early reflections on TC Electronic's latest reverb unit and effects processor.

Though marketed as a guitar effects unit, the G Force might be more accurately described as a full-function studio effects processor with some neat guitar-related functions added.

We try out what must be the most cost-effective programmable 24-bit effects unit on the market. But can quality really come at such a low price?

If you've £250 to spare and a reverb-shaped hole in your studio, Lexicon would like you to fill it with their latest budget processor, which offers 20-bit converters, a digital output as standard, and the famous Lexicon Ambience effect.

With their latest super-mini effects processor, Italian manufacturer Viscount goes head to head with the Alesis Nanoverb on looks and the Zoom 1201 on price. Tom Flint grabs a pizza the action...

Paul White explains why a great reverb doesn't always make a mix sound better.

Low cost digital reverb comes of age according to producer Robin Lumley.