Qu-Bit are bringing Scanned Synthesis to the Eurorack party, a form of organic wavetable synthesis which has hitherto been unavailable in hardware form...
Looking for pre-mixer sweetening? Finaliser R‑EQ offers three-band parametic EQ, a two-way aural enhancer that works on the top and bottom end of the audio, and basic DSP effects like reverb and delay.
The Entity PS's 100-percent analogue circuitry is capable of producing a huge range of percussive effects including, but not limited to: snares, claps, toms, rim shots, hats, synth percussions, zaps and blips, bass and lead sounds and even new flavours of kick-drum sounds.
Classic low-pass gates are probably best associated with the Buchla modulars. However, Rabid Elephant decided against the vactrols, aiming to produce something faster, more accurate, durable and natural-sounding.
Plonk uses AAS physical modelling to generate many voices of a typical drum machine, but it’s equally suited to creating strikes and hits with no real-world equivalent...
Rainmaker consists of a stereo 16-tap spectral delay paired with a 64-tap comb resonator, the latter sporting external triggering options that turn it into a (single-voice) Karplus-Strong synthesizer.
The MÖG Wavefolder doesn’t just modify waveform shape, it squishes, shifts, boosts and distorts — and is equally happy doing the same to control signals.
Every now and again a module appears that slots into a niche you didn’t realise existed, but once it’s there you start to see all kinds of new possibilities...