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Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

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    Behringer B2 Pro

    Multi-pattern Capacitor Mic

    This entry-level, large-diaphragm mic has enough facilities to grow with your needs, and comes complete with case and suspension shockmount.

    Reviews Apr 2004
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    Brauner Valvet

    Dual-pattern Tube Capacitor Mic

    The elegant Valvet provides a choice of omni and cardioid polar patterns, as well as delivering the kind of transparent valve sound for which German mic technology is renowned.

    Reviews Mar 2004
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    Recording Vocals In The Computer Studio

    Masterclass

    However much you rely on a computer to provide sounds and help create arrangements, if you want to include vocals, you still need to know how to mike and record them properly in what may be a less than ideal room. We offer some tried and tested solutions...

    Techniques Mar 2004
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    Digital Microphones: A New Approach?

    Cutting Edge

    When is a digital mic really a digital mic? Cutting Edge looks at the hybrid digital/analogue technology we already have and suggests a radical new approach.

    Techniques Mar 2004
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    M-Audio Luna

    Capacitor Microphone

    This affordable large-diaphragm cardioid mic benefits from an open sound with a hint of transformer warmth.

    Reviews Mar 2004
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    TL Audio Ivory 2 5000

    Valve Microphone & Preamp

    TL Audio's new valve mic and preamp package takes the unusual step of integrating the preamp into the mic's power supply unit. So why take two boxes into the studio, when you can just bosh and go?

    Reviews Mar 2004
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    AEA R84

    Ribbon Microphone

    This ribbon microphone design uses an exceptionally large transducer for high-quality performance in the modern studio.

    Reviews Feb 2004
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    Q. How can I tell if a pair of mics is well matched?

    I bought a Rode NT1A a few months ago and I'm now considering buying a second one. How can I tell whether the two mics are closely matched enough for use as a stereo pair?

    Sound Advice Feb 2004
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    Microtech Gefell M930

    Condenser Microphone

    This surprisingly compact large-diaphragm condenser mic shakes up the established competition.

    Reviews Jan 2004
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    Q. Is it safe to apply phantom power to dynamic mics?

    I did a recording session recently using a mixture of dynamic and condenser mics, and realised my desk does not have switchable phantom power for each channel — they're either all on or all off. Luckily, I had some external channel strips which I ran the condensers through, but is it safe to apply phantom power to dynamic mics?

    Sound Advice Jan 2004
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    Red5 Audio RVK7

    Drum Mic Set

    The excellent sound quality and rugged build of these drum mics belies their highly affordable price tag.

    Reviews Jan 2004
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    Audio Technica AE2500

    Dynamic/Electret Kick-drum Microphone

    Audio Technica have put two different capsules into the same mic, giving you a choice of different sounds for different occasions.

    Reviews Dec 2003
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    Samson Q7

    Drum Mic Set

    An extremely cost-effective set of seven dedicated drum microphones.

    Reviews Dec 2003
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    Samson C03

    Multi-pattern Capacitor Microphone

    This Samson microphone offers true capacitor design and multi-pattern operation at an extremely affordable price.

    Reviews Nov 2003
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    Q. Do I need a mic with a HPF and pad?

    I've just been looking at buying a cheap condenser mic and I was wondering how useful it is to have the low-frequency cut and 10dB pad options that are on some mics?

    Sound Advice Nov 2003
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    DPA IMK4061

    Miniature Condenser Mic Kit

    This affordable miniature mic from one of the top names in condensers can neatly solve a variety of common recording problems.

    Reviews Oct 2003
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    Oktava MKL2500

    Valve Condenser Mic

    A Russian-made, large-diaphragm tube mic which is surprisingly affordable.

    Reviews Oct 2003
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    SE Electronics SE1, SE1000 & SE2200

    Cardioid Capacitor Mics

    One of the most prolific manufacturers in China has launched three new affordable capacitor mics.

    Reviews Sep 2003
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    Q. Is it wise to buy a second-hand microphone?

    With so many brand-new budget-priced microphones out there these days, I'm wondering if it might be better to get a high-quality mic second-hand instead?

    Sound Advice Sep 2003
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    BLUE Ball

    Phantom-powered Dynamic Mic

    BLUE's most affordable mic yet continues their tradition of off-the-wall design and styling.

    Reviews Aug 2003
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    Studio SOS

    Ian Anderson

    We help SOS reader Ian Anderson achieve his favourite drum sound.

    Techniques Aug 2003

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