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Microphones / Miking

Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

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    Q. What microphone should I use for single-mic recording?

    I am looking for one big bluegrass microphone! I would like to purchase a high-quality one for recording my band. Can you give me some brand names to investigate and where I can order one?

    Sound Advice Jun 2006
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    Q. What should I use to switch between two mics?

    I want an A/B switching box to connect two microphones to one phantom-powered mic preamp. I need the signal to remain as clean as possible and have XLR ins and an XLR out. Any suggestions?

    Sound Advice Jun 2006
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    Q. What mics do I need to record a drum kit?

    I have a five-piece drum kit with the three standard cymbals. I am trying to get the best sound possible on a very small...

    Sound Advice Jun 2006
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    Samson C01U

    USB Condenser Microphone

    If you want the simplest possible computer recording setup, it doesn't come much more straightforward than this: a mic that plugs straight into your Mac or PC's USB ports.

    Reviews Jun 2006
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    SE Electronics Mini & 2200A

    Condenser Microphones

    These two new SE models may come in at an entry-level price, but they are both highly capable capacitor mics, each with a distinctly different sound character.

    Reviews Jun 2006
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    Electrovoice Cardinal & Raven

    Microphones

    These new condenser and dynamic microphones from the EVBlue range boast classy retro styling but how do they sound?

    Reviews May 2006
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    Q. Is a matched pair of mics necessary for stereo recording?

    Do I really need to use a 'matched pair' of microphones, or even two mics of the same make and model, for stereo recording...

    Sound Advice May 2006
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    Recording A String Section

    Theory & Practice

    You can mike up a string section in many different ways, but which one sounds best? We explain the theory behind the most popular mic techniques and then record several of them on a real string session so that you can let your ears decide.

    Techniques May 2006
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    T-Bone SCT2000 & Retro Tube

    Multi-Pattern Valve Microphones

    These two multi-pattern valve (tube) mics are contrasted with each other in terms of both sound and design cosmetics.

    Reviews May 2006
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    Guitar Technology

    Gear Reviews, Tips and Techniques

    • Ehrlund Acoustic Pickup • Compensating for Volume Control treble loss • Radial Engineering Plexitube, Hartke AC75/AC150, TC Electronic G Sharp, Zoom G7.1ut/G9.2tt

    Reviews Apr 2006
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    Microtech Gefell M300

    Condenser Microphone

    This new high-resolution small-diaphragm condenser mic offers high SPL handling and a warm tone.

    Reviews Apr 2006
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    Beyer MCE72

    Stereo Condenser Microphone

    If you're looking to record high-quality audio to your portable Minidisc or MP3 recorder, then this small battery-powered stereo mic could be just what you are looking for.

    Reviews Mar 2006
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    AMT SP25B

    Acoustic Bass Microphone System

    Amplifying an acoustic bass on stage is far from straightforward — indeed, the difficulties involved have been known to make players swap to an electric. Could this AMT mic/preamp system be what upright bassists have been waiting for?

    Reviews Mar 2006
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    Sennheiser Freeport

    Radio Microphone System

    It's not difficult to find a cheap wireless mic system these days, but not all have a prestigious name tag — unlike this Sennheiser true-diversity setup, their most cost-effective to date.

    Reviews Mar 2006
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    Audio Technica AT2020

    Condenser Microphone

    Audio Technica's new entry-level mic puts in a star performance.

    Reviews Feb 2006
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    CAD GXL Series

    Condenser Microphones

    This new set of Chinese-built mics offers good-quality vocal and instrument recording on a budget.

    Reviews Jan 2006
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    Q. Which microphone should I buy for recording vocals?

    I do recording work with a number of acoustic performers but I'm having trouble finding a suitable mic for recording vocals...

    Sound Advice Jan 2006
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    Combining Mics & Pickups When Recording Acoustic Guitar

    Time-aligning Recorded Tracks

    Here's a simple but highly effective technique for improving your acoustic guitar recordings, especially at home.

    Sound Advice Jan 2006
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    AEA R88

    Stereo Ribbon Microphone

    This new monster mic incorporates two separate ribbon diaphragms, allowing you to use either Blumlein or M&S stereo recording configurations.

    Reviews Dec 2005
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    AKG D22 & D11

    Instrument Microphones

    The new Crystal Clear Sound range of mics includes two models intended for instrument miking. They've got the prestigious AKG name, but they won't break the bank.

    Reviews Dec 2005
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    M-Audio Aries

    Hand-held Capacitor Microphone

    M-Audio are perhaps better known for their studio and computer-based peripherals, but they now have a microphone range, to which has been added a stage-specific model. We put the Aries through its paces.

    Reviews Dec 2005

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