Audio Interfaces

Audio Technica's latest 20 Series USB microphone is kitted out with upgraded converters, built-in noise reduction and an automatic gain function.

The latest addition to the RedNet range delivers 128x128 channels of 24-bit/192kHz audio to any PC or Mac, via a built-in PCIe slot or external Thunderbolt chassis.

Arturia’s latest offering bundles together a collection of hardware and software aimed at musicians, producers and content creators looking for an all-in-one recording solution.

Rode's all-in-one streaming solution combines a professional audio interface, video capture card and control surface. 

The upcoming Gigcaster series from Boss combine a mixer, audio interface and effects processors to offer a pair of all-in-one solutions for online video and audio creation.

Avid show us the new MTRX II modular interface and a Thunderbolt 3 Expansion Card.

The AXE I/O ONE offers a similar feature set to IK Multimedia’s larger AXE I/O devices in a smaller and more affordable package.

Lynx talk us through the free firmware upgrade that is now available for the Aurora (n) which enables Dolby Atmos Compatibility.

DAD begin unveiling their Thundercore line of digital interfaces, starting with the AX Center.

Avid's latest all-in-one interface offers an expanded I/O count, larger routing matrix and extended immersive monitoring capabilities when compared to its predecessor.

Neumann's first audio interface boasts some impressive specifications and promises to set a new benchmark in audio quality. 

The latest interface from DAD can handle up to 256 channels of digital I/O, and also comes with two of the company's renowned microphone preamps built in. 

Universal Audio Apollo x16 users now have the ability to monitor a range of immersive playback formats including Dolby Atmos, Auro-3D, Sony 360 Reality Audio and more.

RME's latest Fireface offers a total of 94 inputs and 94 outputs, improved A-D and D-A converters, DC-coupled analogue outputs and enhanced digital clocking and jitter suppression thanks to the company's SteadyClock FS technology.

Zooms latest interface uses 32-bit floating point technology to offer clip-free recordings without the need to set gain levels.