Immersive Audio

For Norwegian engineer, producer and record label boss Morten Lindberg, immersive audio begins at source.

Working in immersive audio can be intimidating even for experienced professionals. Caroline Hilton’s team at Universal Music provide the help that mix engineers need to make that transition.

We show you how to get started in the brave new world of Dolby Atmos, using Logic Pro.

Embody’s Immerse Virtual Studio aims to replicate loudspeaker listening on headphones — and the newest variant does so in up to 7.1.6 surround.

Aki Mäkivirta, R&D Director at Genelec, talks to Sam Inglis about the latest developments in immersive audio, GLM measurement software and Aural ID technology.

Taking a chance on immersive music has paid off handsomely for producer Stan Kybert, who has reinvented himself as one of the UK’s busiest Atmos mixers.

Leading mix engineer Andy Bradfield shares some of the lessons he’s learned in getting to grips with Dolby Atmos.

We talk to the people who are creating real‑world Atmos content, starting with Canadian super‑producer Greg Wells.

Wouldn’t it be nice if there were a simple, intuitive way to place sources in your immersive, surround or binaural soundstage? Well, now there is!

Could a small step for Logic’s version number represent a giant leap for music production?