SOUND ON SOUND
Dreadbox are on form with an instrument that packs a lot of synth into a very small box.
Having already emulated the Echoplex tape delay, Foxgear set their sights on the Binson Echorec.
Sampleson’s modelled Wurlitzer ticks all the right electric piano boxes.
Alder Audio’s debut ribbon mic is at once innovative, classy and highly affordable.
Veteran software Mellotron specialists GForce have recreated the sounds of the earliest models with startling accuracy.
Based on the chorus section of Roland’s classic RE‑501, this isn’t your average 500‑series module!
Apogee introduce their own take on the DSP‑powered audio interface.
With its intoxicating amount of modulation options, this creative effects plug‑in could become rather addictive!
Tired of running back and forth between the control room and live room? Meet your new robotic assistant...
Mirror creates reversed delay/reverb effects that come before the note...
What do you get when you cross a drum machine with a librarian and a cartographer?
Heavyocity take a creative wrecking ball to the orchestra.
Is Apple’s Mac Studio the perfect computer for the studio?
Gibson breathe new life into a fondly remembered vintage pedal marque.
Rating: ***** 5/5 Stars. The library focuses on three essential playing styles: long and short notes, and an emphatic marcato delivery with a pronounced attack leading to a looped sustain, great for big histrionic stabs and dramatic final chords.
Enjoy Electronics combine past and present in this intriguing quadraphonic digital delay.
This clever storage and expansion solution is intended as the perfect companion to a Mac Mini.
A stunning overhaul of SSL’s bus compressor, the Bus+ goes much further than most imitators without sophistication undermining ease of use.
The Zen Q completes Antelope Audio’s impressive trio of desktop interfaces.
With its built‑in mixer and the option of battery operation, the HH Tensor‑GO offers a versatile solution for reproducing high‑quality live sound both on and off the grid.