SOUND ON SOUND
This stereo analogue filter allows different filter modes for the left and right channels, and then messes with the dimensions of space by applying mid‑side processing afterwards.
Arturia add some helpful extras to their plug-in models of three classic analogue modulation effects.
GIK Acoustics' portable vocal screen is sensibly-priced and reduces room coloration, but without adding any obvious boxiness from the screen itself.
Pro Tools | Carbon might be the biggest news from the world of music technology this year. But how does Avid's "hybrid audio interface" work?
Avid’s innovative ‘hybrid’ audio interface promises to banish latency for good.
These audio files accompany our review of the United Studio Technologies UT FET47 mic.
If the 16‑inch MacBook Pro was too much and the MacBook Air too little, is this latest 13‑inch MacBook Pro just right?
Re‑Head aims to offer headphone users a loudspeaker‑like listening experience.
Amphion’s innovative FlexBase system offers true‑stereo sub‑bass in a single speaker cabinet.
For their new range of mixers, Korg enlisted the help of two of the biggest names in console design.
If you regularly learn or transcribe songs from audio, deCoda might be just the helping hand you need.
QuickAG is a set of easy‑to‑use tools designed to polish the sound of acoustic guitars and similar stringed instruments...
Boss got so much right with their DD‑3 that it has remained on sale ever since it launched in 1986. But this year they’ve updated it and introduced the more adventurous DD‑8.
Warm Audio’s Foxy Tone Box claims to be an accurate recreation of one of the most sought‑after vintage fuzz pedals of all time...
Having mastered the dynamic microphone, US company Audix turn their attention to headphones — with impressive results.
If you loved Baby’s I Heart NY but wished it were more tweakable, you really should check out Parallel Aggressor.
Metagrid lets you control multiple pieces of software from a single iPad app.
IK’s latest modular processing suite brings a whole new meaning to the idea of ‘mixing in the box’.
Can Roland’s latest V‑Drum kit recreate the feeling of playing real drums?