Reviews

We get down to some serious equalising with SPL's most Qurious product to date.

Akai samplers, in their familiar off‑white rackmount cases, have become fixtures in studios all over the world. Their latest models may use the same colour scheme, but they offer an entirely new user interface and a host of powerful new features.

Sam Inglis roots around in the dustbin of history and fishes out one of the few Roland analogue instruments you can still afford without a second mortgage. Does it deserve to be rehabilitated?

With several successful dance-oriented synth successes to their name, Quasimidi attempt to buck the trend with their latest offering. The Polymorph does offer plenty to interest the dance fraternity — real-time modulation knobs, and an analogue-style sequencer and user interface — but behind the façade lurks a powerful synth.

The East German company Microtech Gefell only became known in the West after the fall of the Berlin Wall, but it was founded by no less a man than Georg Neumann in 1943. Hugh Robjohns tests a new mic with an impressive pedigree...

Designed as a replacement for high-end tape-based multitracks, Otari's original RADAR 24-track random access recorder/editor captured a sizeable chunk of the pro market. We take a look at its successor, RADAR II, which offers a host of enhancements including 24-bit audio.

Analogue Systems have expanded their RS Integrator modular range to include an analogue step sequencer and several new modules — as well as a new, complete high-end system.

In an age of ever‑growing polyphony, Studio Electronics, best known for their vintage synth rebuilds, have returned to first principles — to create the first analogue monosynth for almost a decade. So how does this MIDI‑equipped modern classic measure up to its vintage forbears?