SOUND ON SOUND
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The online seminar takes place on Friday 11th September and includes a start-studded cast of producers, musicians and engineers.
Superior Drummer expansion inspired by classic tracks by Led Zeppelin, Jimi Hendrix Experience and the Rolling Stones.
Native Instruments’ Maschine beat-production platform has gone standalone, with the launch of a new flagship hardware device that lets you create music sans computer.
Audio clean-up suite gets major update, with new modules for guitar noise removal, spectral recovery, and more.
Leapwing's latest processor promises precise control over sub-harmonic generation.
German sampling experts NI have just announced a major update to their flagship software bundle Komplete, along with a new version of Guitar Rig Pro.
French virtual-guitar-amp experts Two Notes have released a new higher-impedance version of their acclaimed Captor X reactive load/speaker simulator.
New hardware drum trigger features 16GB onboard memory, a rechargeable battery, dual trigger pads and a laser sensor.
Ross Orton talks to Nigel Humberstone about his transition from playing drums with Jarvis Cocker into the world of production, remixing and songwriting. His steel city stories include working with Arctic Monkeys & Working Men’s Club.
Logic Pro X 10.5 introduces a raft of new features and remains exceptional value for money.
Arturia's audio interfaces just keep getting better.
With added functionality and improved specs, this great preamp just got better.
Future-proof your projects. We examine the archival options for users of Cubase Elements, Artist or Pro.
These two plug‑ins bring you the spirit of their 'unobtainium' hardware counterparts!
Many of the features that won live sound engineers over to digital desks also have huge potential in the studio. We check out some of the best options.
The latest version of DP includes some powerful timing & tempo-manipulation tools.
The audio interface is at the centre of every modern studio, but how do you choose the right one for you?
What exactly is the crossover frequency in studio monitors, and how much attention do I need to pay to that spec?