SOUND ON SOUND
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Multi-select menus are one of many subtle but invaluable improvements that Avid have made to the Pro Tools user interface.
I have a Roland RC‑30 looper pedal, but I want to be able to use a single microphone, set up so that I can use a foot pedal to switch the mic from the PA to the looper...
I'm having real difficulty routing a source track to FabFilter's side-chain when using Reaper. Has anyone done this before?
Need percussive noise on a budget? Look no further...
Rob Papen's versatile Rack Extension vector synth has been reborn as a plug-in.
Radial's newest problem-solver could prove indispensible to gigging keyboardists.
Rating: ***** 5/5 Stars. A Psaltered Zither should make it much easier for musicians to include zither playing in their compositions...
Rating: **** 4/5 Stars. Pop Strings UK (6.4GB installed) is a collection of 48kHz WAV audio files — no sampler required, you just drag the WAVs into your DAW, set the song tempo and off you go.
Rating: **** 5/5 Stars. This library delivers big, bad (in a good way) drum and percussion sounds designed for epic TV and film music creation.
This isn't Strymon's first analogue-modelling delay pedal... but it may well be their best!
We explore real-world uses for Studio One's tempo-tweaking tools.
To help you brush up on your listening skills, we examine the production of some recent hits from Lewis Capaldi, Brandi Carlile, and Mark Ronson feat. Miley Cyrus. Our classic mix is Bobbie Gentry's 1967 country music hit.
Two Notes' latest device offers serious power-amp and cabinet modelling in a convenient stompbox format.
“Garage band sessions, where the drums have been mixed on a single microphone, embody honesty and humanity.”
VSL push out the boat with hall-recorded rock power drums and two top of the range grand pianos.
Akai Pro have distilled the best of their technologies into a stand-alone clip- and scene-based performance and production workstation.
Built to Schlappi's same exacting standards, this all-analogue module can be an oscillator, LFO, filter or waveshaper...
This 6HP module is specifically set up as a hi-fi, low‑noise, two‑channel (stereo) audio recorder with a basic playback facility.
Engineer Matt Wiggins has worked with everyone who's anyone — and knows that he needs to be prepared for anything!
Prism is an 12HP effect module capable of combining three distinct elements: delay, filter and decimation.