SOUND ON SOUND
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The Ottobit Jr adds stereo operation, a six-step sequencer, a synth-like resonant low-pass ladder filter, triggered stutter effects, 16 preset memory slots and MIDI I/O to the mono original’s variable sample rate and bit-crushing abilities.
This classy valve mic is redolent of the classic German designs of old, yet comes at a fraction of the cost.
In a move that may appeal to fans of the movie Inception, the 1010music Toolbox takes a modular approach to your modular’s modulation...
Dendrites is a compact filter module consisting of 16 modes, accessed from a central encoder. Each group of low-pass, band-pass, high-pass and phase-shift filters is represented by a different coloured LED...
Who benefits from wordy and expensive contracts in the world of music for media? Not the musician, that’s for sure.
Find out how Mytek’s latest reference-level converter stacks up against the competition.
Many still bemoan the demise of the large commercial studio — but what if music itself was to blame?
Mono plug-ins in Pro Tools can be used on stereo and surround tracks. We explain why this is useful!
I have a Roland Quad Capture [audio interface], which I’m very happy with. I would like to use the digital inputs in addition to the two analogue inputs. How can I achieve this?
For some live recordings I’m doing later this year I will have to place the mic on the stage front and I need to ensure that vibrations up to the mic are minimised...
I’ve not found a way of bypassing an external effect (Boss DD-500) by using automation in Cubase 8.5 Pro. I didn’t want the...
Rob Papen’s latest synth keeps things simple with single-page operation, but doesn’t compromise on sound.
Noise Engineering’s modules have made the leap from Eurorack to Reason rack. We investigate...
Oceania comprises two choirs — men and women — which can be used independently but are at their imposing best when played in tandem.
Following a recent nearfield monitor review of mine in SOS — a product, it’s true to say, that I didn’t find entirely...
Bass Slapper is a stand-alone and plug-in (VST, AU, AAX) virtual instrument that, with just a little bit of practice, will allow you to give the likes of Stanley Clarke, Bootsy Collins or Mark King a run for their money.
On offer here is a wide range of more abstract ‘wind-flavoured’ sounds — in fact, just about anything other than traditional brass and wind.
Film scores from the golden era of jazz were the inspiration for Sonokinetic’s latest sample library.
With 64-bit compatibility and VST3 support, Magix’s Sound Forge 12 is ready to face the future.
Recording an acoustic guitar duo in two separate rooms means great separation, but a lot of work to make the different spaces sound alike!