SOUND ON SOUND
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This powerful amp brings high‑tech Dirac room optimisation DSP to your favourite passive monitors.
Newfangled Audio’s Generate soft synth embraces chaos...
We try to improve a gypsy jazz mix, and discover that even the best references need to be taken with a pinch of salt.
OS Acoustics have followed up their impressive DB7 with an even more capable twin‑woofer design. We put the new DBS8 to the test.
Some of Studio One’s hidden gems are now available to users of other DAWs.
We explore ways to get the most out of the Avid S1 controller.
Influencers turn themselves into brands. Production duo LYRE can turn them into pop stars too.
I’m trying to figure out the best acoustic setup for a small ready‑made vocal booth, with a floor area measuring 4 x 5 feet...
I’m trying to improve the sound of my speech recordings which can be a bit ‘echoey’. I’ve been using a Rode NTG4 shotgun mic...
Introducing Reason+ and the Algoritm FM synth.
Does Roland’s software Juno 60 capture the magic of the original?
Throughout his illustrious career, Rupert Neve continued to refine the diode‑bridge compressor design he first created over half a century ago.
Saturation effects can be used in different ways to make mixing easier. Find out how...
Steinberg’s mobile DAW just got even better!
We explore the 5.2 update which offers enhancements to the Score Editor, the introduction of live looping to the Arranger Track, and improved tools for remote collaboration.
RAK Studios engineer Isabel Gracefield undergoes our questioning.
We check out TK’s latest intriguing interpretation of the humble VCA compressor.
We look at the Gospel according to Toontrack.
Warm Audio’s revised take on the Neumann U87 gets even closer to the real thing.