SOUND ON SOUND
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If you’ve spent money on serious headphones for critical listening, could it be worth investing just as heavily in your headphone amp?
No matter what headphones you prefer, Lake People’s versatile amps will feed them the right level.
Audient expand the EVO range with a 24 in / 24 out model featuring eight on-board mic preamps.
Tascam's new Sonicview series consoles are equipped with a 54-bit floating point FPGA mixing engine, built in 32-bit/96kHz USB audio interface functionality, and Dante networking capabilities.
Heritage Audio have introduced two new hardware compressors, providing modern recreations of incredibly rare and sought-after devices.
With newly designed drivers and Sonarworks integration, ADAM’s new A series promises a lot of monitoring for your money.
We test Fluid Audio’s most ambitious monitor yet.
Want to use a real Big Muff Pi in your DAW session? With this one, you can just plug and go...
Cat cabling is cheap and readily available — and there’s no reason you can’t use it to run balanced analogue audio signals all over the place!
Antelope's Discrete 4 is the latest model to gain their Synergy Core processing engine.
If a single mic cable isn’t long enough but two plugged together will reach, should I let that worry me or can I go ahead and sleep easier at nights?
Sennheiser's latest in-ear monitoring system promises a big leap in performance quality for up-and-coming bands and singer-songwriters.
Golden Age’s new Premier series of Neve‑inspired devices get even closer to the real thing.
The ASP4816 offered big‑console features in a project‑studio footprint, but its new souped‑up sibling offers that bit more...
Not content with having created arguably the world’s best preamp booster, Royer’s boffins decided to make it better.
The latest monitor in Neumann's KH range is a two-way bass reflex design featuring DSP control.
The TouchControl 5 from RTW brings together the company's monitor control and metering expertise to offer an all-in-one solution for Dante-based systems.
In-line booster adds up to 30dB of gain and offers a range of impedances for passive microphones.
Neumann’s first ever pre‑polarised mic is designed to reach the parts where their other models won’t go!