
How I Got That Sound: Chris Shaw
Four‑time Grammy Award‑winning producer, engineer and mixer Chris Shaw has worked with some of the biggest and most...
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Four‑time Grammy Award‑winning producer, engineer and mixer Chris Shaw has worked with some of the biggest and most...
The ear‑catching tempo changes of LF System’s hit ‘Afraid To Feel’ provided a unique challenge for mix engineer Scott Rosser.
Are manufacturers becoming more willing to pursue original design concepts?
Logic’s Mixer Modes help you navigate even the most complex projects.
Spanning over 300 pages this book condenses an entire career of experience and knowledge into a really practical guide, focusing on exactly what a newcomer to the industry needs to know and do.
Here we have the book versions published in 1998 and 2003, reissued to meet a demand that has never evaporated...
Can a legendary engineer create immersive audio mixes without giving up his beloved SSL console? Of course he can!
Aimo Scampa designs modules under the moniker of Manifold Research Centre, with an approach that’s as off‑the‑wall as it is fascinatingly clever...
Getting the most from aux sends requires you to understand how they work!
I noticed in your review of the Lewitt LCT 1040 microphone that it has a switchable 120Hz 6dB/octave high‑pass filter, for countering the proximity effect. If my mic doesn’t have this feature, can I just set up the same thing in my DAW channel EQ?
I recently rewired my studio and patched a compressor and an effects unit into my mixer’s master inserts. Both processors were set to work with +4dB signals but the levels from the processors seemed low, so I switched them to their ‑10dB positions and the levels seem healthier. Have I done the right thing?
A new Rack Extension could be all the vocoder you’ll ever need.
If you’re struggling to get everything in your mixes coming across loud and clear, read on.
Included with Studio One Professional, Melodyne Essential has (almost) all the time‑ and pitch‑correction power you’ll ever need!
Malena Zavala pauses her cross‑cultural synth‑guitar pop career to answer SOS's nine core production questions...
We’re used to playing and sequencing synth parts in our productions, but why not sing them as well?
Sometimes you need to free yourself from the reign of the click track and headphones...
These audio files accompany September 2022's Cubase workshop.
Mark Mynett, Sound Engineer and Senior Lecturer in Music Technology and Production, talks us through the setup and recording of live drums.
A tribute to the life and works of composer and synth pioneer Peter Zinovieff by James Gardner, featuring interviews with family, co-workers and collaborators.