SOUND ON SOUND
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‘Walk Like An Egyptian’ was a huge hit for the Bangles, but it all started with a demo mix‑up and some very unusual percussion.
Mixing can be a mentally taxing pursuit, but these simple strategies will help you maintain your focus and get the best results.
Alongside the people who make them, Patrick Gleeson has probably done more than anyone else to introduce synthesizers to popular music.
For their latest album, You Me At Six threw out the rulebook and spent six weeks at a residential studio in Thailand. Producer Dan Austin was at the helm.
Few artists straddle the line between classical and electronic music with as much success as Anna Meredith. We talk to her about the creation of her recent Mercury‑nominated album.
We explore Avid's Pro Multiband Splitter plug‑in.
V Collection 8 introduces new instruments and completely reworks some old favourites.
I've put together 11 of my personal favourite cost-cutting tips that won't burn a hole in your wallet, covering everything from monitoring and recording improvements to making your instruments play that bit better.
When Bombay Bicycle Club chose to work with prolific producer John Congleton, both band and producer found themselves having to adapt...
Submarine's role in life is to add natural-sounding sub-bass content by generating frequencies that are one octave and two octaves lower than the input signal.
Roland’s unsung TR‑606 is the inspiration for their newest drum machines.
The Cobalt 8 is a beautifully judged virtual analogue synth.
Are Audient’s minimalist EVOs smarter than the average audio interface?
Dua Lipa's mega-hit 'Don't Start Now' grew out of a writing session in Wyoming to achieve world-wide chart domination. Producer Ian Kirkpatrick was there from the start.
Are we losing touch with what ‘human’ sounds like?
Lady Gaga's latest album was two years in the making, and marked a return to her electronic roots.
When your business is selling gear with a past, how do you make sure it has a future?
A conquering hero returns to the fray after long years in exile. Does the new Prophet Rev 4 still have the power to take on the world?
Mixing can be a creative as well as a technical role, and the right production effects can transform a track.
Could this be the perfect portable package for podcasters and musicians alike?