SOUND ON SOUND
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Austrian Audio deliver a 21st Century take on a famous ‘pencil’ mic design.
HEDD’s impressive Mk2‑series speakers let you choose between ported and unported formats. Which works best?
RootOne refreshes the parts most other enhancers cannot reach.
Almost half a century after its initial release, Yamaha’s classic three‑way monitor remains an impressive speaker, and it pioneered the use of diaphragm materials that are still considered cutting‑edge today.
Behringer’s TD‑3‑MO isn’t just a TD‑3 with extra knobs: it’s a completely different instrument.
Love the sound of high‑end analogue kit, but don’t have the space or the money to buy it? No problem...
Audient’s budget‑friendly interfaces get a welcome update and a new look.
To help you brush up on your listening skills, we examine the production of recent hits by Selena Gomez, Travis Scott, Maroon 5 plus a classic mix from Roxette.
British guitar band The Lathums achieved the rare feat of topping the charts with their debut album. Mix engineer Caesar Edmunds was at the controls.
We explore Bus and Group compression.
We speak to Disclosure’s tech guru Guy Lawrence about their journey from bedroom production to working with top‑flight stars in some of the biggest studios in the world.
Does Roland’s software Juno 60 capture the magic of the original?
Traditionally educated in the art of recording, Bainz has had to adapt to Atlanta rap’s studio culture. Here, he talks us through his mix of Young Thug and Gunna’s hit single, ‘Ski’.
Traditional hands‑on training gave Leslie Ann Jones the skills she needed to head up one of the world’s most advanced scoring stages.
As if being in charge of the largest studio group in the world wasn’t enough, Miloco director Pete Hofmann also found time to mix the latest album from the UK’s biggest dance‑pop group, Steps.
In a new three‑part series, DJ, producer and remixer Dave Clarke meets key figures from half a century of electronic music.
In our quickfire survey, we find out more about the recipient of the 2019 MPG Breakthrough Engineer of the Year award.
With a record three Album of the Year nominations at this year’s Grammy Awards, mastering engineer Emily Lazar is at the forefront of her profession.