SOUND ON SOUND
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The EVO 16 targets newcomers to recording, but offers some surprisingly professional features.
With the SiX, SSL shrank the large-format console. Now it’s grown again!
Hotone believe you shouldn’t have to tweak a million virtual components to find a great guitar tone...
It can’t turn you into Bob Clearmountain, but this plug‑in can certainly help you create some beautiful effects!
With 32‑bit recording, multiple mic inputs and a smartphone‑style touchscreen interface, Tascam’s top‑of‑the‑range recorder is brimming with potential.
Slate have taken the famous OTT effect and added a whole load more control, creating a unique dynamics processor.
Nektar keep doing what they do best: making solid, capable, no‑nonsense MIDI controllers.
Tegeler add convenient plug‑in remote control to one of their best‑selling processors.
This powerful amp brings high‑tech Dirac room optimisation DSP to your favourite passive monitors.
Intel’s latest CPUs promise big performance gains. But can they topple AMD in our audio benchmarks?
We test Behringer’s take on an underrated Korg classic.
Want to set loop points on YouTube video tutorials and control their playback? This device does just that...
There are many high‑end converters that boast excellent specifications — but this one sounds good too!
Universal Audio target newcomers to recording with a range of affordable USB interfaces.
The UCX II packs 25 years’ interface design experience into half a rack space.
DP11 might not be any louder than DP10, but it’s got plenty more to offer.
The newest version of Pro Tools offers much for both native and HDX users.
Although Macs are simply wonderful when they are working properly, on a bad day they can be just as frustrating as their counterparts...
So far, monitor and headphone calibration systems have targeted music makers exclusively. Sonarworks’ SoundID aims to solve the problem of mix translation from the consumer end too.
Studio One's Music Editor is more than just a piano roll.