SOUND ON SOUND
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Jack Harlow’s smash hit ‘Lovin On Me’ is the perfect marriage of old‑school sample manipulation and 21st Century laptop production.
Ricky Damian is that rarest of things: a young engineer trained in all‑analogue recording. His experience stood him in good stead with Jorja Smith.
David Wrench’s goal as mix engineer was to make Blur sound like themselves!
The success of Noel Gallagher’s Council Skies owes much to his resident engineer Callum Marinho, who not only tracked but mixed the album.
Analogue tape played a key role in the production of Depeche Mode’s Memento Mori album — even though it was recorded to Pro Tools.
Metro Boomin’s right‑hand man is championing old‑school mixing techniques in the 21st Century.
When you’ve learned your craft from Manny Marroquin, you can mix on almost any system — as Jeremie Inhaber proved with Meghan Trainor’s ‘Made You Look’.
Want a hit that transcends genres? Hire a mix engineer who does the same — as Steve Lacy did with Neal Pogue.
For Jason ‘Cheese’ Goldberg, working with YoungBoy means working anywhere and working fast — without compromising quality.
The ear‑catching tempo changes of LF System’s hit ‘Afraid To Feel’ provided a unique challenge for mix engineer Scott Rosser.
Geoff Swan gave up a successful studio business to become an assistant engineer — a risk which paid off with Charli XCX’s number one album, Crash.
Central Cee has taken drill music to the top of the UK album charts, thanks to some very fast work from mix engineer Sean Donoghue.
Hip‑hop and metal share more in common than you might think, as mixer Ari Morris confirmed when he worked on MoneyBagg Yo’s hit album, A Gangsta’s Pain.
British guitar band The Lathums achieved the rare feat of topping the charts with their debut album. Mix engineer Caesar Edmunds was at the controls.
Rod Wave’s chart‑topping album Soulfly was not only recorded in hotel rooms, but mixed and mastered on the road too. Travis Harrington was the engineer who made it work.
Traditionally educated in the art of recording, Bainz has had to adapt to Atlanta rap’s studio culture. Here, he talks us through his mix of Young Thug and Gunna’s hit single, ‘Ski’.
Burna Boy’s second album Twice As Tall saw his brand of Afro‑fusion top the charts all over the world. Jesse Ray Ernster tells us the remarkable story of how it was mixed.
Despite the challenges of producing the album remotely, Dave Fridmann’s work on the latest Mogwai album saw the band top the charts for the very first time.
Olivia Rodrigo stormed the charts earlier this year with her breakthrough single ‘Drivers License’. LA’s rising star Mitch McCarthy talks us through the mix.
As if being in charge of the largest studio group in the world wasn’t enough, Miloco director Pete Hofmann also found time to mix the latest album from the UK’s biggest dance‑pop group, Steps.