SOUND ON SOUND
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Arturia's KeyStep Pro puts sequencing and performance front and centre.
With a record three Album of the Year nominations at this year’s Grammy Awards, mastering engineer Emily Lazar is at the forefront of her profession.
With so many modules on the market, how do you make the right choices?
Spitfire’s latest project marks a new partnership with an iconic London studio.
The celebrated Clavia stage piano continues to evolve.
Here's how to manipulate pitch and time in Logic Pro X.
The Model:Cycles offers an easy and affordable way in to Elektron-world, and has a sound all of its own.
The SOS editorial team shared notes to come up with 21 ways you can greet 2021 with a better studio.
IK’s latest modular processing suite brings a whole new meaning to the idea of ‘mixing in the box’.
We explore Remix FX, which brings together many of the real‑time audio processing tools available in Logic under a new streamlined single interface.
Roland revisit the groovebox with two highly capable and colourful beat machines.
UST’s debut large diaphragm condenser mic is a homage to one of the best‑known solid‑state designs around. We put it up against the real thing.
Yamaha’s new DTX6 range is a force to be reckoned with.
Time-alignment can help solve problems in multi-mic recordings — but it can also introduce new problems!
In need of melodic inspiration? Cubase 11's Scale Assistant can help.
Warm Audio’s revised take on the Neumann U87 gets even closer to the real thing.
If you regularly learn or transcribe songs from audio, deCoda might be just the helping hand you need.
Alongside the people who make them, Patrick Gleeson has probably done more than anyone else to introduce synthesizers to popular music.
Steinberg turn the dial up to 11 with a stonking new version of Cubase.
UDO Audio’s highly anticipated debut instrument is a synthesizer with a sound all of its own.