Mixing / Production

Resident in Mexico City, engineer Juan Sebastián Rodriguez thanks British producer Phil Vinall for his baptism into the recording industry.

For Jason ‘Cheese’ Goldberg, working with YoungBoy means working anywhere and working fast — without compromising quality.

Beyoncé’s chart‑topping album Renaissance showcases a production process that’s all about staying in the moment.

The ear‑catching tempo changes of LF System’s hit ‘Afraid To Feel’ provided a unique challenge for mix engineer Scott Rosser.

Can a legendary engineer create immersive audio mixes without giving up his beloved SSL console? Of course he can!

If you’re struggling to get everything in your mixes coming across loud and clear, read on.

Grammy Award-winning engineer Bob Clearmountain details his unique approach to mixing music in Dolby Atmos using an analogue desk.

Mark Mynett, talks us through prepping for and recording a bass session, including ways to generate multiple layered tracks for use in your final mix.

Nearly two years after its release, Cat Burns’ single ‘Go’ gave Aaron Ahmad his first major mixing hit.

New York‑based producer Randall Dunn answers the SOS quickfire questions.

Ever had trouble getting a plain DI’d bass guitar to sound right in a mix? Me too, sometimes! But it’s almost always fixable once you understand the issues.

Nuno Fonseca of Sound Particles talks about their rapid rise in the film and audio industry and how they are using their sound particle plug-in technology to bring exciting new options to sound design and audio recording.

These audio files accompany August's 'Mixing DI Bass Guitar' workshop.