Mixing / Production

Our tame engineer describes a new approach to mixing that helped him to get the best out of an EP that was recorded remotely during lockdown.

CEDAR Audio has led the world in audio restoration and noise suppression for over three decades. We find out more about their ground-breaking technologies.

I need to align some analogue gear to work with digital audio embedded in a video broadcast... what dBFS should my digital PPM read at the end of the chain?

With your lead vocal performance comped and tuned, and its timing tightened, is there anything else to do before you start mixing?

When you’re polishing a nine‑piece vocal band like TWICE to K‑pop perfection, organisation is essential!

David Gould, Director of Audio Content Solutions at Dolby Labs, talks to Hugh Robjohns about immersive audio and how Dolby Atmos works.

Having crafted some of the biggest hits in pop, Adam King Feeney, aka Frank Dukes, built an ambitious sample library to help others do the same.

Hip‑hop and metal share more in common than you might think, as mixer Ari Morris confirmed when he worked on MoneyBagg Yo’s hit album, A Gangsta’s Pain.

Having cut her teeth as a studio engineer with a litany of global names, classically trained producer Yang Tan takes our quick-fire challenge.

Last month, we showed how to comp a great vocal performance. Now we look at how you can use editing tools to improve both timing and tuning.

Vocoders are not just for vocals. In this episode, Eddie Bazil talks about the various vocoder plug-in options and demonstrates six creative techniques.

British guitar band The Lathums achieved the rare feat of topping the charts with their debut album. Mix engineer Caesar Edmunds was at the controls.

One of Ireland’s busiest producers, John Murphy applies his love of studio experimentation to noise‑rock and traditional folk alike.

To transform multiple takes into truly great vocal tracks, you might need to look further than your DAW’s built‑in comping tools.

Dynamics processing is a core mixing technique, but it’s often misunderstood. We explain how to make a compressor do what you want it to!

Producer Fred Gibson (aka Fred again..) studied under Brian Eno and has worked with some of the biggest artists in the world. And his favourite microphone is the one built into his iPhone.

Rod Wave’s chart‑topping album Soulfly was not only recorded in hotel rooms, but mixed and mastered on the road too. Travis Harrington was the engineer who made it work.

His remarkable versatility has made Federico Vindver the go‑to collaborator for Timbaland, Kanye West, Coldplay and more.

Italian band Måneskin were unlikely winners of the 2021 Eurovision Song Contest, but even that couldn’t prepare them for what came next. Mix engineer Alessandro Marcantoni tells the story of their viral single ‘Beggin’.

Successful songwriters and producers explain how to adapt your skills to the massive Far Eastern market.

There are times when a mix engineer needs to do more than just mixing — even if that takes you out of your comfort zone!