Ableton Live: Rotating Rhythms
We look at a different approach for creating rhythms in Live.
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We look at a different approach for creating rhythms in Live.
Get creative with Logic's new binaural panning options.
Measurement mics are necessarily neutral and accurate, and that's often just what you want when recording music too. Gefell's newest offering, based around a measurement capsule, has those characteristics in abundance.
This app serves up four sequencer engines, each with its own fully-formed synth, a pattern-based drum machine, a compact mixing environment with effects, and plenty more!
Inside you're rewarded with a very good dose of common-sense advice for those just getting to grips with the world of film and TV music creation.
Conventional compressors or expanders are not always suitable for tackling issues that affect only one part of the frequency spectrum, which is where multiband solutions like Pompeii come in very useful.
Based on the same technology, the Iso‑Puck Mini is basically a miniaturised version of the standard Iso‑Puck.
Given its affordable price and compact format, is the Mini now the perfect choice tuner?
Submarine's role in life is to add natural-sounding sub-bass content by generating frequencies that are one octave and two octaves lower than the input signal.
The Quad Peak Animation System, aka QPAS, is a filter aimed primarily at stereo imaging and animation.
Thanks to its multi-axis approach, Planar 2 offers much more than traditional joystick controller designs.
This all-analogue processor is designed to massage, mangle and mutilate your audio.
Novation scale dizzying heights with their new flagship synthesizer.
The Squid is a sequencer with a mission: to unify your gear on stage and in the studio...
We continue our look at further ways to tailor Pro Tools to your tastes.
Prominy's bass instrument comes of age with a major version 2 overhaul.
However much studio trickery is considered 'normal' in a genre, the unwanted side-effects of processing can rob your mixes of impact. But it doesn't have to be that way
In the AEA RPQ2 ribbon mic pre review, what exactly did the reviewer mean by "Still has limited ability to remove unwanted subsonic components"?
I've replaced my RADAR II 24-channel multitrack recorder with a RADAR Studio model. Can I reuse the three original D25‑D25 cables on the new machine?