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Lockdown Mixdown
Bands are still recording music even though they can’t use professional studios or play together — and this means new challenges for mix engineers.
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Bands are still recording music even though they can’t use professional studios or play together — and this means new challenges for mix engineers.
Logic’s drum instruments offer powerful ways of laying down percussion and more...
Why let guitarists have all the fun? Stompboxes can be inspirational mixing tools.
Pads are the glue that holds entire genres of music together. We look at how you can improve yours.
We explore the new bounce options in 2020.11 and reveal their benefits.
We show you how to structure your music with the Arranger Track.
These audio examples accompany our Cubase Mastering workshop in SOS April 2021.
Eddie Bazil gives us an introduction into the creative use of Phasers, with practical examples using drums, vocals and synth pads.
These audio examples accompany April 2021's Lockdown Mixdown article.
We explore four ways to make the most of Cubase 11’s new multiband Squasher plug‑in.
Recording an instrument you’ve not encountered before can seem daunting. Here’s a rule of thumb that guarantees a decent result every time.
From sketches to final mixes, engineer Jonathan Low spent 2020 overseeing Taylor Swift’s hit lockdown albums folklore and evermore.
In Auto Sampler, the main features behind the automatic creation of sample sets are presented in a very intuitive fashion and work extremely well...
Choose a mic with the optimum polar pattern for the job, and you’re halfway to capturing a great recording.
Melodyne Essential now comes bundled with Pro Tools 2020.11, so let's explore what it offers.
Reason is more than capable of traditional multitrack recording. So here we consider how you might run a full tracking project.
We look at how to improve our workflow with the magic use of key commands, also known as hot‑keys or keyboard shortcuts.
Audio files to accompany our Cubase workshop.
Cubase offers everything that you need to design engaging effects risers and impacts.
In DP 10.1, MOTU significantly expanded Bounce‑to‑Disk with the addition of real‑time, multi‑output, and track‑by‑track bouncing.