SOUND ON SOUND
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G-Sonique's Technol HN1 offers bread-and-butter techno sounds in an easy to use format and at a bargain price.
An explosive Glastonbury performance and acclaimed second album have propelled Georgia Barnes into the mainstream.
SSL's famous listen-mic compressor just got more tweakable.
We all want our music-making tools to be intuitive. But what does that actually mean?
Mackie's first ever studio microphone proves to be an affordable all-rounder.
Continua is a three-oscillator, twin-filter analogue-style synthesizer plug‑in for Mac, Windows and iOS, and there's even an experimental Linux build too.
The USB12 is a cardioid condenser microphone that, as its name implies, connects to a computer via USB Type-B socket.
With algorithms ported from their H9 pedal system, MicroPitch is a dual pitch-shifter and a dual delay effect with modulation.
The AR1 is an algorithmic reverb supporting 64-bit VST and AU plug‑in formats on Mac and Windows.
Source Audio have managed to get the relationship between input envelope and filter response to feel very natural on this envelope-controlled filter.
Frank Zappa was as fastidious about cataloguing his recordings as he was about making them. The task of mixing this enormous archive falls to one man...
The Fusion Series is all about valves. It's Erica's premium offering of Eurorack modules and is dripping with extreme saturation and deep gooey darkness.
Multiband compressors offer unique advantages over their broadband cousins — but they also present some perilous pitfalls for the unwary.
Could this be the perfect partnership between vintage vibe and contemporary convenience?
Suffering for your orchestral arrangements? Divisimate can help.
PreSonus' popular Eris range has been given an XT upgrade. We put them to the test!
Pro Tools 2020.5 brings some handy options for project sharing, plus enhanced EUCON integration.
This studio DI box goes further than most, adding character to a range of sources.
How do I tell which preamps are good and which aren't? Are there any particular specs I should I look out for?
I'm looking for advice as to what I should be considering as my next move, to give me the 'oomph' for creating music that uses the best sample libraries for orchestra...