SOUND ON SOUND
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Recorded in 1970, Tea For The Tillerman cemented Cat Stevens’ place in rock history. Half a century later and under his latter‑day name Yusuf Islam, he’s teamed up with original producer Paul Samwell‑Smith to re‑record it from scratch.
Olivia Rodrigo stormed the charts earlier this year with her breakthrough single ‘Drivers License’. LA’s rising star Mitch McCarthy talks us through the mix.
Don Lewis toured with the Beach Boys, as well as played studio sessions for Quincy Jones and Michael Jackson. He's now the focus of a documentary film by Ned Augustenborg.
Behringer’s TD‑3‑MO isn’t just a TD‑3 with extra knobs: it’s a completely different instrument.
British guitar band The Lathums achieved the rare feat of topping the charts with their debut album. Mix engineer Caesar Edmunds was at the controls.
Almost half a century after its initial release, Yamaha’s classic three‑way monitor remains an impressive speaker, and it pioneered the use of diaphragm materials that are still considered cutting‑edge today.
Eventide have put their out‑there reverb effect into a compact pedal.
RootOne refreshes the parts most other enhancers cannot reach.
Audient’s budget‑friendly interfaces get a welcome update and a new look.
Love the sound of high‑end analogue kit, but don’t have the space or the money to buy it? No problem...
Traditionally educated in the art of recording, Bainz has had to adapt to Atlanta rap’s studio culture. Here, he talks us through his mix of Young Thug and Gunna’s hit single, ‘Ski’.
Traditional hands‑on training gave Leslie Ann Jones the skills she needed to head up one of the world’s most advanced scoring stages.
Does Roland’s software Juno 60 capture the magic of the original?
We explore Bus and Group compression.
In a new three‑part series, DJ, producer and remixer Dave Clarke meets key figures from half a century of electronic music.
We speak to Disclosure’s tech guru Guy Lawrence about their journey from bedroom production to working with top‑flight stars in some of the biggest studios in the world.
As if being in charge of the largest studio group in the world wasn’t enough, Miloco director Pete Hofmann also found time to mix the latest album from the UK’s biggest dance‑pop group, Steps.
With a record three Album of the Year nominations at this year’s Grammy Awards, mastering engineer Emily Lazar is at the forefront of her profession.