SOUND ON SOUND
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LA Sessions is a studio production toolkit of 27 instruments and two vocal ensembles aimed squarely at songwriters and professional producers.
Pop writing and production today is a team game, and the Monsters & Strangerz are one of the hottest teams around.
This powerful amp brings high‑tech Dirac room optimisation DSP to your favourite passive monitors.
Steinberg’s mobile DAW just got even better!
Roland's new percussion sequencers pay tribute to classic TR-series instruments.
Behringer’s TD‑3‑MO isn’t just a TD‑3 with extra knobs: it’s a completely different instrument.
Making the most of Studio One's templates.
Audiobro faces the future with an all‑new divisi strings collection.
Avid’s innovative ‘hybrid’ audio interface promises to banish latency for good.
UJAM and Hans Zimmer attempt to make creating professional string parts possible for everyone with Striiiings.
We continue our exploration of DP's MasterWorks plug‑in suite.
Will Waves' plug-in emulation of the Abbey Road RS124, which was based on a much modified Altec 436B valve compressor, find favour with today's engineers and producers?
VCA (voltage-controlled amplifier) faders don't pass audio. Rather, they act as 'remote controls' for other faders: assign a...
Our ears are the most important tool we have, but they’re surprisingly unreliable. We explain how to interpret what they’re telling you.
Masses of modulation and an innovative sequencer make the Mono much more than just another monosynth.
SOS writers pick their favourite plug-ins and tell us what makes them special.
Logic Pro X 10.5 introduces a raft of new features and remains exceptional value for money.
Why let guitarists have all the fun? Stompboxes can be inspirational mixing tools.
We show you how to use Reason as a plug-in within Ableton Live.
UA have long been among the best developers of analogue‑modelling software, so the world is expecting great things of these little boxes. Do they deliver the goods?