Dynaudio have concentrated on high-quality internal and external engineering to create a communicative new ported monitor which isn't afraid to go loud.
JBL's new monitors incorporate Room Mode Correction technology which claims to be able to reduce the bass problems caused by standing waves at the listening position. But does it really work in practice?
Pioneering digital amplifiers are combined with PMC's proven transmission-line cabinet designs to deliver spectacular monitoring performance at a project-studio price.
I've heard of having a subwoofer in your studio in combination with your monitors to reproduce the extra-low frequencies, but why would anyone use two?
This new infinite-baffle 2.1 monitoring system incorporates some unusual technology, including cabinets cast from aluminium-zinc alloy. But do these innovations translate into a cutting-edge sound?
The new baby of the Blue Sky range brings their design philosophy to the small computer studio. But will the 'satellite plus subwoofer' configuration and closed-box speaker loading work as well on a small scale as it does in the company's larger systems?
What are your opinions on having a subwoofer in the studio? I recently demoed the Blue Sky Media Desk 2.1 system and I was very impressed by its quality and its price...
This high-quality passive monitor controller can cater for five stereo input sources and three pairs of speakers, with built-in cue monitoring and talkback functions.
Is it best to use table-top stands, floor stands or wall brackets to mount my speakers? I have Mackie HR624s, which are not ported, so does it matter if they're positioned close to the wall? SOS Forum Post