Guitar Technology

I bought a Boss guitar effects processor the other day and noticed that the guitar sounds a lot better through it than it does just straight into my mixer. Also, could the sound from my mic be similarly improved by getting a stand-alone voice channel for it, rather than just putting it through the mixer?

Extending the modelling approach they pioneered with the original Variax electric, Line 6 have now taken a shot at reproducing the sounds of different miked acoustic guitars. Almost completely immune to feedback, the Variax Acoustic will clearly be a hit in some live applications, but does it sound good enough to record?

I am having serious earthing problems which are making it difficult for me to record a clean guitar sound. All my leads are good, and I don't have this problem with any of my other equipment — just the guitar stuff. Could it be a problem with my domestic mains supply?

The Vetta II amp range embodies the most sophisticated implementation of Line 6's guitar amp modelling technology to date. It delivers more amp models than the original Vetta, offers more user control of the sounds, and it also features an optional digital interface for use with the Variax Digital Modelling Guitar. Second opinion by former Be Bop Deluxe guitarist Bill Nelson.

Not content with modelling guitar amps, Line 6 have now turned their attention to the guitars themselves.

This hybrid physical modelling, valve and solid-state design, presented in a classic AC30-style format, aims to offer the best of all possible worlds. How far does it succeed?

Roland's new V-Bass refines the technology developed for the pioneering V-Guitar systems to meet the demands of bass players.

Paul White tests Digitech's latest GeNetX amp modelling technology, which includes a Warp control allowing you to morph between amp and speaker models in real time.

Behringer's take on the desktop amp modeller adds a new twist - rotary shaft encoders with LED displays. Paul White approves...

Paul White studio tests Roland's versatile modelling guitar amplifier, which has applications both on stage and in recording.

You might think the Pod Pro is just a Pod in a rack, but there's a lot more to it than that.

Roland's new guitar synth is their most affordable yet, but could it also be the best?

Dave Lockwood explains why a Class A valve guitar amp that can muster a mere six Watts is fully deserving of a place in the pages of Sound On Sound.

Paul White tries out a modelling guitar amp with a wide range of tones and a stereo DI output.

Can you get a wall of sound from something the size of a brick? John Walden plugs in his guitar, inserts his earplugs and finds out.

Line 6 announce a software upgrade for their physical modelling guitar amplifier. Paul White plugs in, turns on and checks out the reborn AX2.

Dave Lockwood tests this hi-tech guitar system which seeks to replicate the sound of many of the most coveted vintage and modern amplifiers on the market, with full digital multi-effects thrown in, and all in a convenient, portable, combo format.

Line 6 claim to have put physical modelling technology into a combo amplifier that any guitarist will feel immediately at home with. Paul White puts their claims to the test.

The quest for the perfect Leslie speaker simulator continues. Nick Magnus welcomes an all-analogue member to the rotary club...

The Sessionmaster JD10 recording preamp provides the perfect excuse for guitar practice at the magazine's expense!