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Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

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    Earthworks SR40V

    Live Vocal Capacitor Microphone

    The SR40V has an impressive pedigree and high-end sound — but do they justify the price tag?

    Reviews Dec 2011
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    Sontronics DM1B, DM1S & DM1T

    Drum Microphones

    Sontronics’ DM-series mics are specially designed for close-miking of drum kits. How do they perform in a real-world session?

    Reviews Dec 2011
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    Bees Neez Sally

    Large-diaphragm Valve Condenser Microphone

    This valve mic from Australian company Bees Neez aims to offer a character reminiscent of some of the vintage classics. Can a mic from down under come out on top?

    Reviews Nov 2011
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    Josephson C716

    Large‑diaphragm Condenser Microphone

    In the C716, Josephson Engineering have built upon established technology with some novel ideas of their own.

    Reviews Oct 2011
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    Flea 47

    Valve Condenser Microphone

    The Neumann U47 is one of the most revered of all studio mics, and while there are plenty of ‘clones’ available, Flea have gone the extra mile in their quest for authenticity.

    Reviews Sep 2011
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    Flea 47 | Audio

    Valve Condenser Microphone

    These audio files accompany the Flea 47 review that appeared in SOS September 2011.

    Reviews Sep 2011
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    Karma K-Micro Silver Bullet

    Omnidirectional Microphones

    Paul White investigates a pair of mics that can extend your recording options considerably without depleting your bank account!

    Reviews Sep 2011
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    Q. Should I use a boundary mic when playing piano live?

    I play an acoustic baby grand piano and sing in a new bar. The environment fluctuates from being quiet to being 'moderately'...

    Sound Advice Sep 2011
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    Q. How can I use a figure‑of‑eight mic with the mid/side miking setup?

    I have two figure‑of‑eight Golden Age ribbon mics that I want to use as overheads for drum recording. I've read about Blumlein...

    Sound Advice Sep 2011
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    Telefunken CU29 Copperhead

    Large‑diaphragm Valve Condenser Microphone

    Telefunken Elektroakustic’s latest mic is their most affordable large-diaphragm condenser yet. Is its sound worthy of the Telefunken name?

    Reviews Sep 2011
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    Microtech Gefell M1030

    Condenser Microphone

    The M930’s bigger brother is a large‑diaphragm condenser that displays all the Gefell family traits, but with added visual appeal.

    Reviews Aug 2011
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    Microtech Gefell M1030 | Audio

    Audio Examples

    Audio files to accompany the article.

    Reviews Aug 2011
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    MXL LSC1N

    Stage Capacitor Microphone

    Paul White explores the potential of this little mic manufactured by Marshall Electronics.

    Reviews Aug 2011
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    Q. Does my shotgun mic have any uses in the studio?

    I've recently inherited a shotgun mic that seems to be in pretty good condition. However, I never do any kind of video or...

    Sound Advice Aug 2011
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    Q. Is a 'reflection filter' worth the money?

    I've been thinking about trying out an SE Reflexion Filter or similar device. So far, however, I've been hearing mixed reviews...

    Sound Advice Aug 2011
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    Q. How should I use my new multi‑pattern microphone?

    Having been using a cardioid mic for some time, I've just bought an Audio‑Technica AT2050. Although my decision was partly...

    Sound Advice Aug 2011
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    Test Plot 1

    Dave Hill Designs Europa 1 | Media

    Microphone Preamp

    Test plots to accompany the article.

    Reviews Jul 2011
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    Q. Can you help me choose my first pair of mics?

    I'm buying my first pair of microphones, and my budget is limited. I want the microphones to perform well in church choir...

    Sound Advice Jul 2011
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    Samson Meteor

    USB Microphone

    R2D2 meets podcasting! Matt Houghton investigates...

    Reviews Jul 2011
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    Violet Designs Garnet

    Multi-pattern Valve Microphone

    Violet bid for a place at the higher end of the mic market with this vintage-styled valve model. Will it turn out to be a real gem?

    Reviews Jul 2011
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    Violet Designs Garnet | Media

    Multi-pattern Valve Microphone

    These audio files accompany the Violet Designs Garnet review that featured in SOS July 2011.

    Reviews Jul 2011

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