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Microphones / Miking

Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

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    Stage Capacitor Microphones

    Spotlight

    Does your live vocal sound lack the clarity and detail of your studio recordings? Then you may want to switch over to a capacitor model. Here’s a selection of current options.

    Reviews Jul 2012
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    MicW N101

    Omnidirectional Condenser Microphone

    This Chinese mic bears a close resemblance to some premium European models. Does its sound live up to its looks?

    Reviews Jun 2012
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    AKG DMS70 Quattro

    Wireless Microphone System

    Thinking of going wireless? If you value audio quality and ease of use, this digital system from AKG might be just what you’re looking for.

    Reviews May 2012
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    SE Electronics SE2200A MkII

    Multi-pattern Condenser Microphone

    This update of the hugely successful SE2200A adds switchable polar patterns and a fresh lick of paint!

    Reviews May 2012
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    SE Electronics SE2200A MkII | Media

    Multi-pattern Condenser Microphone

    Audio files to accompany the article.

    Reviews May 2012
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    Audio-Technica ATM250DE

    Kick Drum Microphone

    This ‘two-in-one’ kick-drum mic aims to offer all the benefits of multi-miking techniques, but without the risk of phase problems.

    Reviews Apr 2012
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    Audix CX112B & CX212B

    Condenser Microphones

    The high-frequency lift on these mics from Audix might not suit everything, but for some styles of music, it could be just the ticket...

    Reviews Apr 2012
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    Audix CX112B & CX212B | Media

    Condenser Microphones

    Audio files to accompany the article.

    Reviews Apr 2012
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    Q. Can you recommend a low-cost heavy-duty mic stand?

    I have the usual selection of Stagg and anonymous mic stands, which are fine most of the time, but I now have some mics that...

    Sound Advice Apr 2012
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    Q. How important are microphone self-noise and SPL figures?

    I am interested in the Shure SM7b mic and have been looking at its specifications, but the Shure web site seems to be missing...

    Sound Advice Apr 2012
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    Audio-Technica AT2031

    Small-diaphragm Condenser Microphone

    Audio-Technica’s latest ‘pencil’ mic is designed to provide a high-frequency boost. Could this help lift sources out of a busy mix?

    Reviews Mar 2012
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    Blue Reactor

    Multi-pattern Condenser Microphone

    Blue’s new Reactor is certainly eye-catching, but does it sound as good as it looks?

    Reviews Mar 2012
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    Popper Blocker

    Live Microphone Accessory

    We take a look at this microphone accessory that promises "No more pops!!!".

    Reviews Mar 2012
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    Q. Can I use two completely different mics in an M/S array?

    I have a vintage Neumann U87 mic, a GAP Pre73 preamp and also a Zoom H4N recorder (massive contrast, I know). If I want to,...

    Sound Advice Mar 2012
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    AEA A840

    Active Ribbon Microphone

    Passive ribbon mics can be fussy about what they’re plugged into, which is why AEA have made this active version of their popular R84.

    Reviews Feb 2012
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    DPA D:fine

    Live Headset Microphone

    The latest headset mic from DPA is designed to offer crystal-clear vocals and a rock-solid, discreet fitting.

    Reviews Feb 2012
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    AEA KU4

    Supercardioid Ribbon Microphone

    This lovely mic from AEA is based on a classic RCA design from the ‘40s. It certainly looks the part, but is it worth the asking price?

    Reviews Jan 2012
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    JZ Microphones Vintage 11

    Large‑diaphragm Condenser Microphone

    The other mics in JZ’s Vintage range are based on classic designs of the past — but they hope this one will become a classic in its own right...

    Reviews Jan 2012
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    Cloud Microphones JRS 34 & JRS 34P

    Ribbon Microphones

    These retro-styled ribbon mics have a lineage going back to legendary models from RCA, and are completely hand-built in the USA.

    Reviews Dec 2011
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    Cloud Microphones JRS 34 & JRS 34P | Media

    Ribbon Microphones

    Audio files to accompany the article.

    Reviews Dec 2011
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    Earthworks SR40V

    Live Vocal Capacitor Microphone

    The SR40V has an impressive pedigree and high-end sound — but do they justify the price tag?

    Reviews Dec 2011

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