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Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

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    Q. Can I use an SM58 as a kick-drum mic?

    I'll be doing a session with lots of mics and I'm going to be running out of gear choices without hiring, begging or stealing...

    Sound Advice Apr 2011
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    Rode Videomic Pro

    Shotgun Microphone

    Building on the success of its predecessor, the Videomic Pro is a convenient, lightweight shotgun mic.

    Reviews Apr 2011
  • Sound Advice Mar 2011
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    SE Gemini 5 & G3500

    Large-diaphragm Condenser Mics

    SE's new siblings employ the same capsule as previous Gemini designs - but they're very different mics...

    Reviews Mar 2011
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    Q. If speakers have to be 'anchored', why don't mics?

    As I understand it, loudspeakers create sound and momentum, which needs to be absorbed in order for the sound quality to be...

    Sound Advice Feb 2011
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    Royer Labs R101

    Ribbon Microphone

    High-quality ribbon microphones don't come cheap, but the new R101 brings Royer quality within reach of the project-studio recordist.

    Reviews Feb 2011
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    SE Electronics Voodoo VR1 & VR2

    Ribbon Microphones

    SE have aimed to combine the smoothness of ribbon mics with the high-end extension of a condenser. What witchcraft is this?

    Reviews Feb 2011
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    SE Electronics Voodoo VR1 & VR2 | Media

    Ribbon Microphones

    These audio files accompany the SE Electronics Voodoo VR1 & VR2 review that featured in SOS February 2011.

    Reviews Feb 2011
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    CAD Equitek E100S

    Supercardioid Capacitor Microphone

    CAD's E100 impressed us, but it's been revamped to create a mic with one of the lowest self-noise figures in its class — or any other, for that matter!

    Reviews Jan 2011
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    CAD Equitek E100S | Media

    Supercardioid Capacitor Microphone

    Audio files to accompany the article.

    Reviews Jan 2011
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    Q. What are the characteristics of vintage mics?

    I've been browsing a vintage microphone site and it got me thinking: what kind of characteristics are actually offered by...

    Sound Advice Jan 2011
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    Audio-Technica AT4047 MP

    Multi-pattern Condenser Microphone

    Audio-Technica have added multiple polar patterns to one of their already successful designs, bringing increased versatility in the studio.

    Reviews Dec 2010
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    Audio-Technica AT4047 MP | Media

    Multi-pattern Condenser Microphone

    Audio files to accompany the article.

    Reviews Dec 2010
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    Audio-Technica AT4050 ST

    Stereo Condenser Microphone

    There's more to this variation on Audio-Technica's flagship microphone than the simple addition of a second capsule...

    Reviews Nov 2010
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    Peavey Studio Pro M2

    Condenser Microphone

    Paul White explores the capabilities of the understated-yet-powerful Studio Pro M2.

    Reviews Nov 2010
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    Schoeps VSR5

    Microphone Preamp

    Schoeps make some of the most revered mics on the planet, so when they release a commercial version of the mic preamp they use for testing, you have to take it seriously...

    Reviews Nov 2010
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    Schoeps VSR5 Mic Preamp

    Test Measurements

    The following charts, made using an Audio Precision Analyser, accompany our review of the Schoeps VSR5 microphone preamplifier.

    Reviews Nov 2010
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    Blue Encore 300

    Handheld Condenser Microphone

    Designed as a hand-held live vocal mic, this mic has a cardioid pickup pattern, and seems very robustly engineered.

    Reviews Oct 2010
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    Cartec EQP1A

    Mono Valve Equaliser

    British 'boutique' outboard manufacturers seem to be rather thin on the ground these days, but if this Pultec clone is anything to go by, newcomers Cartec look set to make a big impression.

    Reviews Oct 2010
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    Prodipe TT1

    Dynamic Microphone

    Prodipe say they wanted to offer a high-quality, live-sound, cardioid-pattern dynamic mic at a very affordable price.

    Reviews Oct 2010
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    Sontronics Saturn | Media

    Condenser Microphone

    These audio files accompany the Sontronics Saturn review that featured in SOS October 2010.

    Reviews Oct 2010

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