Mixing / Production

Britain’s most high‑profile rapper has made his most ambitious album yet — with a little help from his friends.

To find himself as an artist, Charlie Puth swapped high‑profile co‑writers for fan reaction on TikTok. It seems to have worked...

Gilla Band’s new album is one of the least normal things you’ll hear this year...

Ricky Reed has worked with a multitude of artists across a huge range of genres, most recently delivering a string of huge hits for Lizzo.

Immersive audio is helping Jean‑Michel Jarre implement a distinctly French musical vision, inspired by his own mentors.

Resident in Mexico City, engineer Juan Sebastián Rodriguez thanks British producer Phil Vinall for his baptism into the recording industry.

Grammy Award-winning engineer Bob Clearmountain details his unique approach to mixing music in Dolby Atmos using an analogue desk.

New York‑based producer Randall Dunn answers the SOS quickfire questions.

Nuno Fonseca of Sound Particles talks about their rapid rise in the film and audio industry and how they are using their sound particle plug-in technology to bring exciting new options to sound design and audio recording.

Richard Norris talks about his early break into the music industry, success with The Grid in the 90s, his many collaborations, remixes and unexpected career turns.

For Norwegian engineer, producer and record label boss Morten Lindberg, immersive audio begins at source.

Working in immersive audio can be intimidating even for experienced professionals. Caroline Hilton’s team at Universal Music provide the help that mix engineers need to make that transition.

Enigmatic New York producer Morgan Geist began making techno in his ’90s college dorm before a remix turned his life upside down.

Sea Change is the moniker of Norwegian producer and singer Ellen AW Sunde, whose ethereal music borrows from club culture as much as it does from ambient and experimental soundscapes.

Howard Gray gives us a fascinating look behind the scenes of recording and engineering some of the biggest tracks of the '80s.

With an extraordinary track record as producer, songwriter, musician, mixer and remixer, Mike Dean is a one‑man music industry.

CEDAR Audio has led the world in audio restoration and noise suppression for over three decades. We find out more about their ground-breaking technologies.

David Gould, Director of Audio Content Solutions at Dolby Labs, talks to Hugh Robjohns about immersive audio and how Dolby Atmos works.

Having crafted some of the biggest hits in pop, Adam King Feeney, aka Frank Dukes, built an ambitious sample library to help others do the same.

Having cut her teeth as a studio engineer with a litany of global names, classically trained producer Yang Tan takes our quick-fire challenge.

One of Ireland’s busiest producers, John Murphy applies his love of studio experimentation to noise‑rock and traditional folk alike.