
Bad Dogs P1
Ever fancied trying different output transformers in your mic preamp? Then check out the P1...
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Ever fancied trying different output transformers in your mic preamp? Then check out the P1...
Why might you need a dedicated monitor controller — and what separates the good models from the bad?
The celebrated Clavia stage piano continues to evolve.
We show you how to take full control of your stereo image with Cubase’s powerful bundled plug‑in suite.
For their 15th album, Duran Duran collaborated with three masters of electronic music and a dog‑fixated artificial intelligence.
EV’s latest rig takes the column PA format and adds a host of thoughtful extra features.
His remarkable versatility has made Federico Vindver the go‑to collaborator for Timbaland, Kanye West, Coldplay and more.
The final Revox tape recorders left the factory almost 25 years ago, yet the enthusiasm and support for these classic machines remains as strong as ever.
Many classic electric guitar sounds have been captured using just one microphone. So when and why might you use more?
HEDD’s impressive Mk2‑series speakers let you choose between ported and unported formats. Which works best?
Landquist reveals how he got his favourite sound on A‑ha’s ‘Lifelines’, the 2002 title track to the Norwegian synth‑popsters’ seventh studio album.
Italian band Måneskin were unlikely winners of the 2021 Eurovision Song Contest, but even that couldn’t prepare them for what came next. Mix engineer Alessandro Marcantoni tells the story of their viral single ‘Beggin’.
It takes a hell of a lot of prep and expertise to create the perfect cabinet IR library...
Successful songwriters and producers explain how to adapt your skills to the massive Far Eastern market.
When we think of musical genius, we tend to call to mind people with exceptional powers of planning and control. Whether it’s...
We explore Logic Pro’s bounce and export options.
M‑Audio’s trusty MIDI controller workhorse treads indefatigably onwards.
There are plenty of cheap Bluetooth adapters on the market but most are aimed at the consumer sector, whereas these two models from Alto focus on the pro audio market.
JMG Sound’s spatial enhancement plug‑in employs psychoacoustic principles to “make your sounds deeper, wider and bigger”.
This plug-in’s primary role is in beefing up drum and percussion sounds, though it can also work well on bass parts or to add a sheen of analogue warmth to other instruments.