SOUND ON SOUND
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VSL push out the boat with hall-recorded rock power drums and two top of the range grand pianos.
The Lemon Twigs not only draw their musical inspiration from classic power-pop; they’ve also learned to record using authentic ’70s gear and techniques.
For her eagerly awaited new album, Florence Welch teamed up with one of the world’s hottest producers. Emile Haynie and Florence herself describe the making of High As Hope.
This debut speaker from new UK company Kerr Acoustic combines a number of unusual design elements — to impressive effect!
Former Chief Engineer at Korg, Tatsuya Takahashi is the man who brought analogue synthesis back into the mainstream.
I spent seven years as a freelance game composer back in the '80s and '90s, when we tended to be part musician, part computer...
This most hybrid of devices does far more than just put A‑D/D‑A conversion into a 500-series chassis. In fact, it could even make you reconsider how you use your studio...
Clavinets are a bit like Marmite. We love to own them, to play them, and to listen to them, but we hate storing them and...
Talent and hard work have taken Marta Salogni from dive bars in Italy to working with A-list mixing and production clients in the UK in less than a decade.
Shirley Collins’ album Lodestar has been a long time coming. Thirty-eight years, in fact...
Is it a music festival? Is it an arts festival? Is it a science and technology conference? Is it a forum to promote...
Its wonderful to be able to give something back to young people who are eager to learn about life in the studio. If only they were better prepared to receive it.
The faster the pace of progress, the harder it is to keep up.
I recently bought a Zoom H6 recorder, and am confused how its Mid-Sides recording works. Could you explain?
The Beatles’ iconic Sgt. Pepper’s album was mixed twice on its original release. So why mix it again, 50 years on?
Its nigh-on impossible to make a profit from music these days, so why do we still do it?
This month's selection include Ellie Goulding, Beck, The Book Thief soundtrack from John Williams, Jess Glynne and that all time classic mix, James Brown 'I Got You (I Feel Good)'.
Begun as an experiment, ‘Sweet Dreams’ launched Eurythmics to international stardom and is still filling dancefloors to this day.
The Sequential Prophet X combines analogue and sample-based synthesis in one enormously ambitious and flexible instrument.