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Can Dreamtonics really deliver a session singer in software?
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Can Dreamtonics really deliver a session singer in software?

Want a hit that transcends genres? Hire a mix engineer who does the same — as Steve Lacy did with Neal Pogue.

Nearly two years after its release, Cat Burns’ single ‘Go’ gave Aaron Ahmad his first major mixing hit.

Does the latest iteration of NI’s Komplete music production suite provide all the tools you need?

German sampling experts NI have just announced a major update to their flagship software bundle Komplete, along with a new version of Guitar Rig Pro.

The ultimate one‑man band, Brazilian artist Ricardo Bacelar uses layers of drums, percussion, guitars and keyboards to build up dense immersive mixes.

Geoff Swan gave up a successful studio business to become an assistant engineer — a risk which paid off with Charli XCX’s number one album, Crash.

We put the desert island questions to this Tel Aviv-based dynamic, hip‑hop‑infused pop duo.

When you’re polishing a nine‑piece vocal band like TWICE to K‑pop perfection, organisation is essential!

A good engineer can make bands sound better than they are. In this video, Sound On Sound's Editor In Chief Sam Inglis explains how to turn musical lead into gold...

Film composer, theatre composer, TV composer, ballet composer... Why be one when you can be them all?


Here are 10 ways engineers and studio owners can ensure the studio works as well for the musicians as it does for themselves.


The result of an extraordinary collaboration between Arthur Baker and London band Freeez, ‘IOU’ was a pioneering hit of the electro genre.

Steve Jones (guitarist for Air, Brian Eno, Herbie Hancock) will be touring Digital Village stores in September,...

The HeadLine could save you precious session time when indulging your inner tone‑hound.

British guitar band The Lathums achieved the rare feat of topping the charts with their debut album. Mix engineer Caesar Edmunds was at the controls.

The three albums Mike Thorne produced for Wire showed that there was much, much more to punk than met the eye.

Working on tape with the Red Hot Chili Peppers forced Ryan Hewitt to revisit old‑school mixing skills — and find ways to adapt modern techniques to the analogue domain.