A good engineer can make bands sound better than they are. In this video, Sound On Sound's Editor In Chief Sam Inglis explains how to turn musical lead into gold...
For anyone with an interest in recording classical performances of any form — whether they’re an amateur, a professional or an academic — this is absolutely essential reading.
For their latest album, You Me At Six threw out the rulebook and spent six weeks at a residential studio in Thailand. Producer Dan Austin was at the helm.
Few artists straddle the line between classical and electronic music with as much success as Anna Meredith. We talk to her about the creation of her recent Mercury‑nominated album.
I recently started capturing my vinyl collection to DSD and hi‑res PCM. The result sounds great but when I examine the audio file in iZotope RX 8 Elements I see a band of ultrasonic noise. Should I be worried about this?
Recorded in 1970, Tea For The Tillerman cemented Cat Stevens’ place in rock history. Half a century later and under his latter‑day name Yusuf Islam, he’s teamed up with original producer Paul Samwell‑Smith to re‑record it from scratch.
The title track of Steely Dan's Aja is legendary for many reasons, including the spectacular work of Steve Gadd. Who, it turns out, almost didn't make the cut in the album's planned 'rotating list of drummers'...
Over four decades, Vince Clarke has helped shape the sound of electronic music. We talk to him about how his working practices have changed, from early Depeche Mode to the new album from Erasure.
Ross Orton talks to Nigel Humberstone about his transition from playing drums with Jarvis Cocker into the world of production, remixing and songwriting. His steel city stories include working with Arctic Monkeys & Working Men’s Club.