To some, music technology is simply a means to an end and the music is all that matters. To others, music technology holds some technical importance in its own right.
Although first published in 2007, I only became aware of this interesting book very recently, when I found it on a recommended-reading list for a music technology course at a UK university.
This month Mike comments on work by Lalah Hathaway, Little Big Town, Alabama Shakes and Ghost, plus our Classic Mix, Bonnie Tyler's ‘Total Eclipse Of The Heart’
This fascinating and commendably detailed book by Howard Massey provides a wonderful overview of the significant recording studios in London in the ’60s and ’70s, as well as a few noteworthy facilities elsewhere in the UK.
In my experience, many SOS readers are, at least at some level, fairly technically minded and have an interest in how the technology they use works, especially in ‘classic’ instruments and devices. This book is designed to go a long way towards satisfying that ‘inner geek’ in all of us.
This month we feature Walk The Moon, Jason Derulo, Jack featuring Justin Bieber, Tinie Tempah, Muse and our Classic Mix: Glenn Gould, Bach’s ‘The Goldberg Variations’
The author Michael Williams began his audio career as a BBC technician in the early 1960s, but he is better known today for his teaching and the many papers he has presented to the AES on the science of stereo and multi-channel mic arrays.
This month's selection include Ellie Goulding, Beck, The Book Thief soundtrack from John Williams, Jess Glynne and that all time classic mix, James Brown 'I Got You (I Feel Good)'.