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Microphones / Miking

Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

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    AKG Ara

    Ara: new USB mic from AKG

    24-bit/96kHz recording via USB-C

    The Ara offers a choice of cardioid and omnidirectional polar patterns, and can record up to 24-bit/96kHz.

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    Warm Audio WA-67

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    Warm Audio’s latest mic takes on the venerable Neumann U67. We put it to the test!

    Reviews Sep 2021
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    512 Audio Limelight

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    New affordable product line from the makers of Warm Audio

    New brand founded by the makers of Warm Audio aim to offer pro-quality gear at entry-level prices.

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    Fluid Audio Focus

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    Best known for making affordable studio monitors, Fluid Audio have just announced a new set of studio headphones, plus a large-diaphragm capacitor microphone.

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    Austrian Audio OD505

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    OD505 & OC707 released

    New live vocal mics include an unusual dual-diaphragm active dynamic design.

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    Sennheiser MD 435

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    Sennheiser’s latest stage mic puts one of the company’s premium wireless capsules into a conventional wired mic format. We put it to the test.

    Reviews Aug 2021
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    Audio-Technica AT2040

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    AT2040 ships with pivoting boom stand

    A-T's latest release is an affordable dynamic microphone designed for the spoken word.

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    Soyuz SU-017 Brass Black

    Soyuz limited edition SU-017 released

    Special 'Brass Black' finish unveiled

    The Russian microphone makers' flagship valve design is now available in a 'Brass Black' finish.

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    MXL Revelation II

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    We try out the second coming of MXL’s affordable valve mic. Was it worth the wait?

    Reviews Jul 2021
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    For the brightest sound, place the mic ‘on axis’ (firing directly at the speaker), and aiming at the centre of the speaker cone.

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    If you’re new to recording, it often pays to keep things simple, and when it comes to guitar cabs that means learning how to get the best sound with only one microphone.

    Techniques Jul 2021
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    Zeppelin Design Labs Cortado MkIII

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    Chicago audio kit makers release “nearly indestructible” contact microphone

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    Golden Gear: Beyer Ribbon Mics

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    Affordable, reliable and unexpectedly small, Beyer’s ribbon mics have been studio staples since the mid‑’60s.

    Reviews Jun 2021
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    PreSonus DM-7

    Drum Microphone Kit

    PreSonus’ affordable DM‑7 comes with all the mics you’ll need to capture a quality drum kit sound.

    Reviews Jun 2021
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    Q. Can I plug unbalanced mics into transformer mic preamps?

    I purchased some small‑diaphragm electret condenser microphones from 12 Gauge Microphones and can only use them on my non‑transformer input mic preamps. Do you know of a way to make these mics work with my transformer input preamps?

    Sound Advice Jun 2021
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    Q. Do speakers narrow the image that’s captured by an X-Y stereo mic array?

    I’ve seen stereo mic arrays that claim to capture 196 degrees of the sound stage. What’s the point if the speakers can only reproduce 60 degrees of the whole image?

    Sound Advice Jun 2021
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    Remic Classic Series

    Stringed Instrument Microphones

    The new Classic range from Danish company Remic aims to offer high‑end performance at an attractive price.

    Reviews Jun 2021
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    Stewart Tavener - Extinct Audio Microphones

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    Stewart Tavener from Extinct Audio and Xaudia chats to Drew Stephenson about the origins of his companies and how he became a ribbon microphone specialist.

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    DPA 4466 Core

    DPA expand headset mic range

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    The new 4000-series models are available in omni and cardioid versions, and take advantage of DPA's innovative 6000-series mounting system.

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    Lewitt Audio LCT 140 Air stereo pair

    Lewitt LCT 140 Air now available in pairs

    Affordable stereo recording kit

    Affordable small-diaphragm capacitor mics can now be bought in matching pairs for stereo applications.

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    Audix A127

    Audix A127 unveiled

    New mic combines low noise and high sensitivity

    New microphone employs an unusual metal-film diaphragm, and is designed for ensemble recording and acoustic measurements.

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    Golden Gear: AKG D19

    Dynamic Microphone

    We kick off a new series profiling classic studio equipment with a look at a humble dynamic mic that has passed into Liverpudlian legend.

    Reviews May 2021

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