Monitors / Monitoring

Struggling to drive multiple set of cans? DACS have an amp for that...

Despite its decades‑old design, the Rogers LS5/9 can still compete with some of the best monitors around today. We put this faithful recreation to the test.

With their impressive sound quality and adjustable attenuation, these off‑the‑peg earplugs give even custom‑moulded designs a run for their money.

Paul White chats to Nate Baglyos and Charles Sprinkle of California-based speaker manufacturers Kali Audio.

Almost half a century after its initial release, Yamaha’s classic three‑way monitor remains an impressive speaker, and it pioneered the use of diaphragm materials that are still considered cutting‑edge today.

So far, monitor and headphone calibration systems have targeted music makers exclusively. Sonarworks’ SoundID aims to solve the problem of mix translation from the consumer end too.

We put AA’s new open-backed mixing and mastering headphones to the test.

Detroit microphone maker Deni Mesanovic applies his considerable knowledge of transducers to produce an impressive debut studio speaker.

I was wondering why we put speakers in the classic triangle with the listening point at the apex?

Mackie’s latest cans prove themselves to be serious monitoring tools.

Focal’s revised flagship studio cans raise the bar yet again.

Kali’s latest nearfield design offers an unprecedented amount of monitor for the money.

What can the dynamic convolution experts bring to the world of headphone monitoring?