SOUND ON SOUND
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It was just another session for producer Peter Nappi, but Gayle’s ‘ABCDEFU’ would become one of the most listened‑to tracks of 2022.
When you’re polishing a nine‑piece vocal band like TWICE to K‑pop perfection, organisation is essential!
Having crafted some of the biggest hits in pop, Adam King Feeney, aka Frank Dukes, built an ambitious sample library to help others do the same.
Hip‑hop and metal share more in common than you might think, as mixer Ari Morris confirmed when he worked on MoneyBagg Yo’s hit album, A Gangsta’s Pain.
British guitar band The Lathums achieved the rare feat of topping the charts with their debut album. Mix engineer Caesar Edmunds was at the controls.
Rod Wave’s chart‑topping album Soulfly was not only recorded in hotel rooms, but mixed and mastered on the road too. Travis Harrington was the engineer who made it work.
Italian band Måneskin were unlikely winners of the 2021 Eurovision Song Contest, but even that couldn’t prepare them for what came next. Mix engineer Alessandro Marcantoni tells the story of their viral single ‘Beggin’.
Polo G could have worked with any superstar mix engineer on the planet. Instead, he chose relative unknown Todd Hurtt to mix his hit album Hall Of Fame.
Pop writing and production today is a team game, and the Monsters & Strangerz are one of the hottest teams around.
The experimental production behind St Vincent’s album Daddy’s Home made for an unusual and challenging mix.
Traditionally educated in the art of recording, Bainz has had to adapt to Atlanta rap’s studio culture. Here, he talks us through his mix of Young Thug and Gunna’s hit single, ‘Ski’.
Burna Boy’s second album Twice As Tall saw his brand of Afro‑fusion top the charts all over the world. Jesse Ray Ernster tells us the remarkable story of how it was mixed.
Despite the challenges of producing the album remotely, Dave Fridmann’s work on the latest Mogwai album saw the band top the charts for the very first time.
Olivia Rodrigo stormed the charts earlier this year with her breakthrough single ‘Drivers License’. LA’s rising star Mitch McCarthy talks us through the mix.
Can you mix a hit record in 45 minutes? Billy Decker can, and in this book he tells you how!
From sketches to final mixes, engineer Jonathan Low spent 2020 overseeing Taylor Swift’s hit lockdown albums folklore and evermore.
As if being in charge of the largest studio group in the world wasn’t enough, Miloco director Pete Hofmann also found time to mix the latest album from the UK’s biggest dance‑pop group, Steps.
Martin Garrix’s extraordinary career has seen him graduate from bedroom producer to international star, label owner and proprietor of one of the world’s most advanced Dolby Atmos studios. He tells us how it happened.
Bruce Springsteen’s latest album was an international hit last year, but the console it was mixed on was made a quarter of a century ago. Mixing legend Bob Clearmountain was at the controls.
When rapper Machine Gun Kelly enlisted the help of producer and Blink‑182 drummer Travis Barker on his latest album, a shift to pop‑punk seemed inevitable. Who better to mix it than punk/hip‑hop crossover engineer Adam Hawkins...